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Aug 10, 2009


This is always GLUED in my mind...




A Design Manifesto

Published jointly by 33 signatories in:
Adbusters, the AIGA journal,
Blueprint, Emigre, Eye, Form, Items
fall 1999 / spring 2000

First Things First 1964
a manifesto

We, the undersigned, are graphic designers, photographers and students who have been brought up in a world in which the techniques and apparatus of advertising have persistently been presented to us as the most lucrative, effective and desirable means of using our talents. We have been bombarded with publications devoted to this belief, applauding the work of those who have flogged their skill and imagination to sell such things as: cat food, stomach powders, detergent, hair restorer, striped toothpaste, aftershave lotion, beforeshave lotion, slimming diets, fattening diets, deodorants, fizzy water, cigarettes, roll-ons, pull-ons and slip-ons.

By far the greatest effort of those working in the advertising industry are wasted on these trivial purposes, which contribute little or nothing to our national prosperity.

In common with an increasing number of the general public, we have reached a saturation point at which the high pitched scream of consumer selling is no more than sheer noise. We think that there are other things more worth using our skill and experience on. There are signs for streets and buildings, books and periodicals, catalogues, instructional manuals, industrial photography, educational aids, films, television features, scientific and industrial publications and all the other media through which we promote our trade, our education, our culture and our greater awareness of the world.
We do not advocate the abolition of high pressure consumer advertising: this is not feasible. Nor do we want to take any of the fun out of life. But we are proposing a reversal of priorities in favour of the more useful and more lasting forms of communication. We hope that our society will tire of gimmick merchants, status salesmen and hidden persuaders, and that the prior call on our skills will be for worthwhile purposes. With this in mind we propose to share our experience and opinions, and to make them available to colleagues, students and others who may be interested.

First Things First Manifesto 2000

We, the undersigned, are graphic designers, art directors and visual communicators who have been raised in a world in which the techniques and apparatus of advertising have persistently been presented to us as the most lucrative, effective and desirable use of our talents. Many design teachers and mentors promote this belief; the market rewards it; a tide of books and publications reinforces it.

Encouraged in this direction, designers then apply their skill and imagination to sell dog biscuits, designer coffee, diamonds, detergents, hair gel, cigarettes, credit cards, sneakers, butt toners, light beer and heavy-duty recreational vehicles. Commercial work has always paid the bills, but many graphic designers have now let it become, in large measure, what graphic designers do. This, in turn, is how the world perceives design. The profession’s time and energy is used up manufacturing demand for things that are inessential at best.

Many of us have grown increasingly uncomfortable with this view of design. Designers who devote their efforts primarily to advertising, marketing and brand development are supporting, and implicitly endorsing, a mental environment so saturated with commercial messages that it is changing the very way citizen-consumers speak, think, feel, respond and interact. To some extent we are all helping draft a reductive and immeasurably harmful code of public discourse.

There are pursuits more worthy of our problem-solving skills. Unprecedented environmental, social and cultural crises demand our attention. Many cultural interventions, social marketing campaigns, books, magazines, exhibitions, educational tools, television programmes, films, charitable causes and other information design projects urgently require our expertise and help.

We propose a reversal of priorities in favour of more useful, lasting and democratic forms of communication – a mindshift away from product marketingand toward the exploration and production of a new kind of meaning. The scope of debate is shrinking; it must expand. Consumerism is running uncontested; it must be challenged by other perspectives expressed, in part, through the visual languages and resources of design.

In 1964, 22 visual communicators signed the original call for our skills to be put to worthwhile use. With the explosive growth of global commercial culture, their message has only grown more urgent. Today, we renew their manifesto in expectation that no more decades will pass before it is taken to heart.

Jonathan Barnbrook Nick Bell Andrew Blauvelt Hans Bockting Irma Boom Sheila Levrant de Bretteville
Max Bruinsma Siân Cook Linda van Deursen Chris Dixon William Drenttel Gert Dumbar Simon Esterson
Vince Frost Ken Garland Milton Glaser Jessica Helfand Steven Heller Andrew Howard Tibor Kalman
Jeffery Keedy Zuzana Licko Ellen Lupton Katherine McCoy Armand Mevis J. Abbott Miller Rick Poynor
Lucienne Roberts Erik Spiekermann Jan van Toorn Teal Triggs Rudy VanderLans Bob Wilkinson

Last year the Canadian magazine Adbusters took the unusual step of reprinting a manifesto, 'First Things First', written 35 years ago in London by Ken Garland and signed by 21 other visual communicators. As it turned out, Garland knew nothing about this renewed interest in his call for a 'reversal of priorities in favour of the more useful and more lasting forms of communication.' Adbusters had come across the manifesto in a back issue of Eye (see 'There is such a thing as society' by Andrew Howard, no. 13 vol. 4) and felt that its sentiments had become 'more, rather than less relevant' today.

After that, things started to move. Kalle Lasn, editor of Adbusters, showed the issue with 'First Things First' to the late Tibor Kalman, who said: 'We should do this now.' They met Ken Garland himself at their Vancouver HQ. Little by little the idea of a new version of 'First Things First', updated and rewritten for the twenty-first century, began to take shape. Garland gave the project his blessing, but left the writing and organisation of new signatories to Adbusters. Earlier this year the magazine’s art director, Chris Dixon, read out a preliminary draft during a packed lecture at the Royal College of Art.

As the new version and list came together, other magazines were approached to see whether they would act as co-sponsors of the initiative.

'First Things First Manifesto 2000' is being published in its entirety, with 33 signatories’ names, in Adbusters, Emigre and the AIGA Journal in North America, in Eye and Blueprint in Britain, in Items in the Netherlands, and Form in Germany. A poster version will be designed by Adbusters and dispatched to design schools around the world.

The aim is to stimulate discussion in all areas of visual communication – in education, in practice, in the organisations that represent design’s aspirations and aims – as well as outside design. The changing relationship of advertising, graphic design, commerce and culture poses some profound
questions and dilemmas that have recently been overlooked. If anything, these developments are accepted as an unproblematic fait accompli.

In consequence, many young designers have little conception of the values, ideals and sense of responsibility that once shaped the growth and practice of design. The profession’s senior figures, who do, are for the most part quiet. Adbusters’ welcome initiative reasserts these considerations as fundamental to any sensitive interpretation of graphic design’s role and potential.

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